103808270This is going to sound like a cry from Jurassic Park, but here goes anyhow. Among the gripes I have about SoCal is the insistence on tacking a “the” to names of freeways. “The” 10, “The” 101, “The” 410 and on and on. The practice has crept its way north, too. I’m sure we will all be speaking the dialect soon. What’s my problem? Does anyone live on “the” Maple Street? Is the main boulevard in San Francisco “The” Market Street? Is the main West Coast N-S freeway “the” I-5? (Maybe it is or will be by the time I post this. What about the old days of 101, 280, 880 and so on? Are they lost and gone forever? Yes indeed. And so long, it’s been good to know ya.


Click on for a look-see inside Marie Lavender’s latest novel, UPON YOUR LOVE. I now turn the mic over to Marie for some  some insights into the mind and heart of this extraordinary author. 

Marie Lavender

A frequent question writers hear is, “Where do you get your ideas?” What’s your answer to that one? 

Well, I get ideas from new people I meet, or sometimes I’m inspired by something I observe in public, and other times I get inspired by a news article I came across. Most of all, I’d like to think that life experiences tend to store impressions in one’s subconscious. This jumble becomes a soup that eventually dumps itself out in other forms, and that’s when a new idea pops up.

You bill yourself as a Multi-Genre author, and one glance at your book list [ note: see below] proves you live up to your billing. What do you love about switching modes, and what is it like? 

Honestly, it was never intended that way. I began with the aim of staying in the mold of a romance author. Soon, though, I noticed that my 119+ works in progress lent themselves to other genres, and it was simply easier for me to stop boxing myself in. I found that with an open mind, my creativity flowed better. I am often surprised by where the muse takes me (I never imagined writing a children’s fantasy or a science fiction tale, for example). Heck, recently I did an interview, and the host inspired me to try writing a horror scene. Quite interesting.

With all of my projects, I usually change things up and try a different genre than I just published or submitted a story for. Let me tell you, there’s never a dull moment.

You say that your upcoming Upon Your Love (Nice title, by the way) is the final book in a trilogy. How can you be so sure? What if you feel the urge to write a fourth? Will you be able to stick to stopping yourself?

Thanks! Excellent question, and normally I’d agree with you on a good day. I learned that lesson the hard way when I wrote Magick & Moonlight, and during the release party I told readers there probably wouldn’t be sequels. I ended up biting my words. Not even two months later, I had ideas for books two and three going.

However, with UYL, I pretty much wrapped up all the angles I could (I answered the questions readers had about the series and the characters in general, and I think it works well).

Here’s a chicken-egg question. Character or plot? Obviously, you have one in mind at the same time you’re thinking of the other, but do you like to give yourself an action outline and more or less follow it? Or do you keep it rather vague and let your characters lead you where they want to go?

I think I am a character-driven storyteller. I try to let the characters guide me as much as possible. If I try to affect the plot too much, it ends up sounding rushed or shallow. I write as many random scenes as possible, and then I fill it in with more character details. I also have to sit down and organize a full outline at some point before I continue writing. But I leave myself open to changes, in case the characters decide to take the story in a different direction.

Many writers and critics lay down prescriptions they think make for producing the best writing. Mark Twain famously suggested, for example, substituting “damn” for every time you want to use “very.”  Do you keep any of those kinds of things in mind as you create?

Have I learned techniques through the years? Of course. I think the key is that I’ve become comfortable with my writing style, yet I always make sure I know my characters deeply. No matter how short or long a story is. Obviously, a reader will never know all the tiny details about a character’s life, but a majority of it is important and will come out naturally on the page.

Some writers like to let the prose pour out, then go back and revise and polish. Others like to refine as they go. Do you belong to one group or the other? Or somewhere in between?

I do a majority of my edits after the story is already written. However, it is hard at times to hush a writer’s internal editor. So, of course, I correct some glaring issues as I go along. As a Libra, I’m always right in the middle on most things.

What’s your most productive time of day/night? Michael Chabon likes to write between about 11 p.m. and 7 a.m. He’s an extreme example, but most of us have our favorite hours. What are yours?

I am a night owl, so my heavy writing often comes out in the wee hours before I go to sleep. I often can’t shut my mind off, so there’s no way I can fall asleep if an idea is ticking away in my brain.

What do you do to clear writing time, and what are the environmental elements you need to do your best work?

Silence is usually helpful, though I have been known to play certain types of music softly in the background. When I’m heavily focused on a project, I try to work a little on an aspect of the book every day until it’s finished, even if I’m only researching.

All right. Here’s one I bet you can’t answer. Who are the three favorite characters you’ve created, and why do they top your list?

Oh, that is tough! I’m going to use two characters from the Heiresses in Love Series. Hands down, I must say Fara Bellamont (Hill) – she appears in all three books – has always been dear to me. Honestly, I think it’s because I’m a lot like her. I can totally relate. The second is Adrienne Hill from Upon Your Love. She is strong and totally fearless, a woman born out of her time (the Victorian era), but also has this secret vulnerability that most people, with the exception of those closest to her, never see. I greatly admire her. I only wish I was so brave.

The final character I need to mention is probably Caitlyn Johnson. She’s a very special young woman who has been through hell and back, but still manages to find enough courage to make a life for herself. She is very special to me. Caitlyn will be featured in a book I’m currently editing, titled Directions of the Heart, a modern romantic drama collection.

You’ve now reached the end not only of a book, but a whole trilogy. What’s next, and what genre will it be?

Well, I’m finishing up the writing on Blood Instincts, a futuristic paranormal romance/urban fantasy. It’s book two in the series. Second Nature, the first novel, came out in December of 2014. Beyond that, I hope to fully focus on a paranormal romantic mystery/thriller collection, Awakening, this year. And with my numerous works in progress, the muse always has a way of surprising me. I’ll just know when the next project comes to me.

Thanks, Marie. I’m grateful for your taking the time to stop in to I enjoyed this interview, but most love your answer to that last question because it demonstrates that you not only create your characters  but live them. They are an organic part of you. Delicious.

Readers, I’m certain, will be hungry for more, so I hope the short bio that follows and links to your many, many publications will help satisfy their appetites.

Marie Lavender lives in the Midwest with her family and three cats. She has been writing for a little over twenty-five years. She has more works in progress than she can count on two hands. Since 2010, Marie has published 25 books in the genres of historical romance, contemporary romance, romantic suspense, paranormal romance, fantasy, science fiction, mystery/thriller, literary fiction and poetry. She has also contributed to several multi-author anthologies. Her current series are The Heiresses in Love Series, The Magick Series, The Blood at First Sight Series and The Code of Endhivar Series.

Bestselling multi-genre author of UPON YOUR RETURN and 24 other books. March 2016 Empress of the Universe title – winner of the “Broken Heart” themed contest and the “I Love You” themed contest on Poetry Universe. SECOND CHANCE HEART and A LITTLE MAGICK placed in the TOP 10 on the 2015 P&E Readers’ Poll. Nominated in the TRR Readers’ Choice Awards for Winter 2015. Poetry winner of the 2015 PnPAuthors Contest. The Versatile Blogger Award for 2015. Honorable Mention in the 2014 BTS Red Carpet Book Awards. Finalist and Runner-up in the 2014 MARSocial’s Author of the Year Competition. Honorable mention in the January 2014 Reader’s Choice Award. Liebster Blogger Award for 2013 and 2014. Top 10 Authors on Winner of the Great One Liners Contest on the Directory of Published Authors. Where can you find all this wonderful stories? Just visit the sites below.



Amazon author page:




Baby, Mom, Dad, one cycle. only dad has helmet!!! Unfortunately quite common.

Start with the negative, just because. Jakarta traffic is as bad as any we’ve ever encountered. Only Bangkok compares. The two-wheeled vehicles swarm like bees, weaving in and out of cars/buses. Still Erin says far more people die annually from TB than from traffic accidents.

IMG_2249Probably this guy on the left has a load of sugar IMG_2252cane, point being that just about anything gets transported by motorcycle/scooter. And yet, the old faithful brahma bull cart is still in service. At least some things are reliable.

And you can get as good a cappuccino here as anywhere. Just ask us.

IMG_2012IMG_2278And you’ll always be safe because check this out:IMG_2020

Buy take care not to get thrown into a Dutch dungeon.




IMG_1968IMG_1967or accosted by a giant snail. IMG_1993Or caught in a tsunami. (This beautiful metal sculpture commemorating victims of the giant tsunami of 2004? is outside the national museum. Kind of hard to see the human figures caught up in the water, but look closely. IMG_1904




So there is beauty and art amid the traffic, and there are super restaurants, and most of all family together. Giving thanks. Left to right, Erin, Susanne, Carl, Caitlin, Sean. Above and to the rear, two unnamed Javanese unicorns.






Antonin Artaud led a theater movement in the 30’s and 40’s that argued for a drama that depended less on text and more on mysterious primal expressions of sound, movement, and light. He pointed toward Balinese dancers as the idea. When I was first introduced to his ideas in the 60’s I had only the vaguest ideas what he meant about Balinese dancers. He’s talking about renditions of the Ramayana stories which have become almost a cottage industry here in Indonesia. Last night we even witnessed one in which women and children played more than traditional roles. Hero Rama played by a woman? Not to mention his hunters charged with chasing down the demon who kidnaps Rama’s true love, Sita? Not to also mention the black monkeys played by little boys. Not to mention the entire gamelon/Rindik/drums orchestra consisting of women. There were three golden deer instead of one, two played by 14ish girls, one by a 12ish one. A very tasty treat.


The Artaud Balinese references? The play is acted with formulated gestures, all precisely executed right down to the eyeballs (literally, the eyes must slide up, down, right left at certain moments), and there are no spoken words. A narrator may tell the story that’s being portrayed, but the actors say nothing. It helps that the audience knows the story as well as, say, the Greeks knew the legend of Oedipus. It’s a nice idea, Artaud, and this is wonderful theater, but what would the world of stage be without Shakespeare’s text?

Anyway, aside from history and scholarly debates, you can catch one of these performances in at least a couple of places here in the village/district of Ubud, and I assume various other places on this emerald/enchanted isle.






thAll of you who have been wondering (everyone, I’m sure.) how a Hindu bastion such as Bali remains in the midst of the overwhelmingly Muslim and (somewhat) Christian populace as Indonesia, here’s the historical explanation. All true

Bali was a good king with a peaceful kingdom full of happy people. Vishnu saw this and appeared at his door as a guest, a dwarf, and was taken in as custom demanded. He proved an entertaining fellow, and Vishnu/dwarf and Bali had a good visit. When it came time to leave, Bali, as custom demanded, offered a boon. Vishnu said he’d like some land. How much? All I can cover in three strides. Bali argued that wasn’t enough, but the dwarf insisted, so Bali relented.

In an instant, Vishnu revealed himself as a god and became enormous. So enormous that he covered the entire earth in two strides. Now it was time for the third step, but there was no place for Vishnu to rest his foot, so Bali offered his head as a stepping stone. Which he should have known better because in Indian battles if your opponent steps on your head, you’re toast. Thus Bali became an underworld demon with only an island to his name.

Lessons? Why would Vishnu do this to a good king with a happy kingdom? Answer. The kingdom was too happy, too stable. The Hindu pantheon needs a balance of order and chaos. Perfect order is death. Bali’s kingdom was too happy, so had to be disrupted. Ordinarily one might expect that this would be a job for Shiva the destroyer, but these guys cross over into each other’s boundaries all the time. You never can tell which god will be after you or will help you. Keep praying.